The film is in lush color (not unheard of in Welles’ repertoire, but certainly unusual). For a filmmaker known for the way he opened up the expanses of the frame, a filmmaker who was quoted as saying that he was resolutely against the use of close-up, this scene is incredibly intimate and sensual. It evokes a level of intimacy, beyond the sexual, not usually a part of Welles’ palette.
The original 1 Giant Leap project consisted of a CD and DVD release which chronicled a six month journey in which they recorded music, filmed talks with writers, teachers and every day people. . . Now in 2009, 1 Giant Leap has released its long anticipated follow up What About Me?
I have heard Wiseman himself describe his films as having more in common with a mirror, rather than a magnifying glass. He further suggests that the situations depicted in his films are open to the interpretation of the viewer not unlike any work of art. In respect to High School, Wiseman tells a story of how teachers and school administrators were initially pleased by the film, however when criticism of the school appeared in reviews of the film, administration and teachers became divided in their support of the film. One film, two perspectives reinforced.
It might also surprise you to know that a number of the folks who worked on this video would not fit into categories like “democrats” or so-called “liberals”. We had people on this show who identify themselves and vote Republican. Everyone on this show contributed and came together on this project for love and belief in their country.