After the Fact: A Director’s Musings on the Go Public Experience

Posted on Friday 11 May 2012

A Day in the Life of the Eliot Middle School Library

Student Daniel Pinto-Teixiera hunkers down for a test

The following is recollection of the day’s events during my participation in the Go Public Documentary Film Shoot.  Each crew member was asked for their reflection on that day, and this was the document that I submitted to Producers Dawn & Jim O’Keeffe.  –S.

In retrospect of filming, I am left with a wealth of emotions related to the day’s events.  In the first place, a week prior I took the opportunity to sit down and meet not only with my subject Mrs. Large, but Eliot Middle School Principal Mr. Pannell, and two students, Daniel Teixiera-Pinto and Carter Robertson.  The brief time spent during my initial encounter was enough to leave me with an impression of the place and these people.  Add to that, the memories of my own time spent in Eliot’s wise old library as a former student, and it is safe to say that I was carrying around some very distinct feelings of this place.  Most tangible to me was the importance of this tiny segment of a very personal and human institution, and a sense of responsibility that I had as a filmmaker to reveal my impressions.

Prior to filming, I set myself into a certain mindset however.  It is the same as when I pick up a still camera to capture an image: I prefer to distance myself from my subject.  I do not want to be felt as a presence to the subject.  It is enough in capturing the things that I see, that I will imprint a certain impression upon an image.  It is unavoidable.  That being said, it might have come off to some of the people that I encountered on Tuesday, that I was somewhat distant.  The fact that I had the fantastic talent of my  D.P. Neil de la Peña, and sound mixer Richard Newton, allowed me that luxury.

Arriving at the Home of the Large family early in the morning, was like being tossed into the deep end of a swimming pool.  Mrs. Large had spoken with her family about what to expect on the day of the shoot. Most importantly, she had told her three children, Eric 8, Penelope 5, and Frida 4, that they should ignore the camera.  As you might imagine, it’s near impossible for three filmmakers to “disappear” to a houseful of excited young children.

The plan to shoot that morning was to go strictly handheld, and capture the frenetic nature of an early morning as Mrs. and Mr. Large got their brood ready for the day.  We captured that, and the loving, curious and outgoing nature of this family.

After arriving at school and settling in to filming, I was once again left with a little trepidation in capturing what I saw happening in the library, and doing so in a vérité fashion.  A quiet place, with quiet activity taking place; all in an atmosphere where your subject is likely to be suspicious of your presence.

When I met Mrs. Large the previous week, I knew that this small statured, gentle-natured person was someone quite special.  She didn’t need to be someone of large flourishes or grandiose personality to leave her mark on me, or the walls of the library.  The day of filming left me with concrete examples of what I already sensed of her.  A gentle, thoughtful way of leading students toward learning.  Deep caring not only for her students, but of what she does.  The more I was there, witnessing the day’s activities, the more I began regaining personal sense-memories of my considerable days hanging out in the Eliot Library.  Before long, I had the realization that the library of any learning institution, is not only a physical “mind”, but the soul of the institution.  Sanctuary.  Whether you are a child who gets straight “A’s” and sees all of a school as a place of learning, or perhaps someone who might dread going into a certain class because they aren’t achieving the highest grades, the library and her caretaker are there to offer safe haven to a mind.

If the Pasadena Unified School District, and indeed the entire State of California choose to cut these sanctuaries from their schools, what are we leaving for our children?  Cool factories for learning?  At the very least, an institution without sanctuary.  Even prisons have sanctuaries for learning.  (Continue reading…)

Stefan @ 6:12 pm
Filed under: Documentary andGo Public: A Day in the Life of the PUSD andProjects
Editor Reel: 2011

Posted on Friday 18 November 2011

2011 has been a productive year for me as an Editor.  My partners and I have completed a new Sizzle Reel for our reality project based around Drift Alliance, and we expect to see it picked up soon for the 2012 television season.

My work also made it into live action feature and short films with Just Three Words directed by Graeme Finlayson and a documentary/narrative hybrid feature called Sweet Old World.

I’ve also completed trailers and viral marketing videos for documentary and narrative feature projects like the Emmy nominated Houston, We Have a Problem and Finding Hope starring Molly Quinn.

Much of the work is laid out in this new reel, but I’ve also been involved in everything from EPKs, PSAs and professional reels for a number of filmmakers.

I expect 2012 to be my biggest year of all, and I will be updating this website very soon with a new and updated résumé and expanded reel section with selections from specialized types of work.

For questions and inquiries I can be contacted via this website or directly via e-mail at:

connect (at) coffeecartproductions (dot) com.

Stefan @ 5:16 pm
Filed under: Projects andUncategorized
From The Archive: The Idea of Stanley Kubrick (2007)

Posted on Thursday 27 January 2011

Stanley Kubrick

A couple of nights ago, I sat down to watch the recent and exceedingly limited release of the film, Colour Me Kubrick. The film stars John Malkovich in a very odd, but often fun portrayal of British con man, Alan Conway.

The film for me served as more of a curiosity piece than anything else. I’d read about Conway’s time spent impersonating Kubrick, and it was fascinating to me that a gay man who looked absolutely nothing like Kubrick could get away with impersonating the notoriously reclusive director. Alan Conway

Nonetheless, for a fair amount of time, Conway did just that, and managed to bilk his way around England claiming to be Stanley Kubrick himself. What was fascinating to me about the film wasn’t so much Conway’s story, but the fact that Conway represented an idea of a man, more than that particular man.

It isn’t giving too much away to say that the in the story, penned by Anthony Frewin, Kubrick’s longtime assistant, we’re treated to multiple episodes of Conway’s antics, each of which would leave any Kubrick aficionado laughing at the sheer ludicrousness.

Kubrick as a gay rake of a man? Kubrick was married to his second wife, Christiane right up until the end of his life. Kubrick with an English accent? Being born in Manhattan and raised in the Bronx had left a notable accent which was clearly present even in the last recordings done in his life. It’s clear from the story and in the accompanying documentary, Being Alan Conway, that Conway knew virtually nothing of his “double”. Obviously, neither did his victims. But it’s fascinating to think that despite such gross disconnects from reality, Conway screwed over many an innocent victim. And to this day for many, Kubrick remains just as big an idea as he was a filmmaker. (Continue reading…)

Stefan @ 2:24 am
Filed under: culture andfilmmakers andInfluences
Music Video: Don’t Vote – Wil B. & The Billionaires

Posted on Sunday 2 May 2010

2008 presented a great opportunity to direct this music video for Wil B. & The Billionaires.  The video marked my contribution to the electoral process outside of the voting booth.  The rapper, Wil B. was quick to get our piece submitted to CNN’s iReport.com “Campaign ’08″ online film festival, where it soon became a selected finalist in the competition.

What thrilled me about making a rather outspoken jab at the “recycled bodies” that have come to be our political representatives and the media machine that perpetuates them, was the fact that we had folks from all political perspectives participate on this film shoot.  Each committed to preserving the sanctity of the electoral process and the power of the ballot box.

A shout-out needs to go to all the cast and crew, Executive Producer for The Billionaires, Clifford Tasner, my Co-Producer and partner-in-crime Eric Mofford, long-time collaborator & D.P. David R. Hardberger.  Without these people, this project would never have come together.

Today in 2010, I finally got around to a re-cut which is as close to a final vision as I have for the project.  It’s my goal to get a second music video under my belt this year to help build momentum on continuing projects as a music video Director.  Still under wraps is a project that looks to be coming together in the next month:  a full-length music performance video that I’ll be cutting for another filmmaker who will be directing a pioneering New Age artist on his next big endeavor.

If I were to come up with a short wish list of artists I’d love to work with, it might be as follows: Michael Franti and Spearhead, The Mars Volta, Porcupine Tree, OVIDEO, Ben Harper & Relentless 7, OK Go, Bill Laswell & Method of Defiance, Toledo Diamond & The Toledo Show, Sigur Rós, Jamie Catto of 1 Giant LeapPat Metheny, Peter Gabriel and David Sylvian to name just a few!

As with my goals as a filmmaker, I have the goal of creating music videos which are innovative and indelible.  The sort of concepts and images that set the artist apart as much as the image and vibe. Creating the next Sledgehammer, the next Afrika Shox, the next Glósóli. . .

More to come,

–S.

Stefan @ 6:47 pm
Filed under: Aspirations andInfluences andProjects
Editor Reel: 2010

Posted on Wednesday 27 January 2010

With the launch of my 2010 Editor’s Reel, I am announcing that I am currently available for editing projects.  I work on the Final Cut Pro editing platform and have not only the experience with the music video format, industrials, TV pitch videos, but with my background in marketing, I am more than a simple cutter.

For Intention Products, I created a series of teaser videos (as seen in my reel) intended to promote the BrandU Conscious Entrepreneur Experience, as well as a ten minute digest of the complete Conscious Entrepreneur Experience.

For Unconventional Media, I created the pitch video for the Drift Alliance Reality TV show which is making the rounds with production partners and cable networks looking for its home.

As you can see from my résumé, I have worked as a film professional now for over a decade.  But as a self-professed “process junkie”, editing suits my temperament and I find it to be a very rewarding and creative process.  I am eager to work with individuals and companies who will help me grow my reel and create dynamic works.  For this reason, I am able to offer very competitive rates, and as my clients and colleagues will tell you, I am the guy who is constantly who looking to exceed expectations and deliver the best possible end result on whatever project I work on.

For questions and inquiries I can be contacted via this website or directly via e-mail at:

connect (at) coffeecartproductions (dot) com.

Stefan @ 12:47 pm
Filed under: Projects
December 365 Photo Gallery: Lines

Posted on Tuesday 19 January 2010

It seems like each and every month, I struggle for the first few days to establish the theme to my work.  December and January are no exception to the rule.  This month, the only direct artistic influence can be found in Japanese Edo-era artist, Hokusai. Although many images depict literal lines, I tried to venture outside of literal interpretation and draw deeper lines within the work.  Amazingly, the theme appears in the work before I know that I am doing it.

To view higher resolution images of these and all of the 365 photos, you can view them here via Picasa.

Creative Commons License

Lines by Stefan Rhys is licensed under a Creative Commons Attribution-No Derivative Works 3.0 United States License. Permissions beyond the scope of this license may be available at http://www.facebook.com/new.era.artist or by e-mailing me directly at connect (at) coffeecartproductions (dot) com.

Stefan @ 6:17 pm
Filed under: Influences andPhotography andProjects
November 365 Photo Gallery: AloneTogether

Posted on Monday 28 December 2009

November’s theme, AloneTogether, came about midway through the month. I can even look at the work and see where it happened.  And again, lots of organic ideas that arose of their own volition, and nothing was posed. There are also nods to one of my key sources of inspiration, artist Edward Hopper, and photographer/filmmaker Chris Marker.  I think once again that the work speaks for itself. . .

To view higher resolution images of these and all of the 365 photos, you can view them here via Picasa.

Creative Commons License

AloneTogether by Stefan Rhys is licensed under a Creative Commons Attribution-No Derivative Works 3.0 United States License. Permissions beyond the scope of this license may be available at http://www.facebook.com/new.era.artist or by e-mailing me directly at connect (at) coffeecartproductions (dot) com.

Stefan @ 12:22 pm
Filed under: filmmakers andInfluences andPhotography andProjects
October 365 Photo Gallery: Recession

Posted on Monday 21 December 2009

On my birthday this past October, I began a year long project of daily photos taken and posted online.  In just a few months, I have already taken a couple thousand photos, and as of this date, posted less than 80 photos.  My original intention was simply to take these photos one by one, but eventually, I was seeing themes developing in the work, and thus I began shaping the themes of the work once I identified an underlying current.

Recession was the first theme and the most natural of themes.  Much of my initial inspiration for the photos came from the countless signs on empty businesses that dot the area everywhere around me.  Soon other forms of “recession” began to emerge in the work, less literal and I leave it to the viewer to judge for themselves.

My underlying rule to all the work has been that all photos are exactly they happened. No posing, no setups.  A moment captured, and sometimes stolen,  in time.  By the end of this project, I very well may come to be known as the poet laureate of shopping carts.

Before the end of the year, I will be catching my galleries up to the current date, and then they will be published monthly thereafter.

To view higher resolution images of these and all of the 365 photos, you can view them here via Picasa.

Creative Commons License

Recession by Stefan Rhys is licensed under a Creative Commons Attribution-No Derivative Works 3.0 United States License.  Permissions beyond the scope of this license may be available at http://www.facebook.com/new.era.artist or by e-mailing me directly at connect (at) coffeecartproductions (dot) com.

Stefan @ 7:29 pm
Filed under: Photography andProjects
Source of Inspiration: The Erotic Side of Orson Welles

Posted on Tuesday 4 August 2009

I remember when I saw the above clip from Orson Welles‘ still unfinished final film The Other Side of The Wind. I would have been in my late teens or early twenties when it was screened as a part of a film festival in Santa Monica, just blocks from where Welles shot his final film appearance in Henry Jaglom‘s Someone to Love. Gary Graver, Welles’ long-time friend and cameraman was present to talk about this footage which was a part of Orson Welles: The One Man Band, and the Wind project itself.

My heart had long since been captured not only by his films such as the ubiquitous Citizen Kane, The Lady from Shanghai, and The Trial, but I also had probably finished reading This is Orson Welles not too long before. (Truth be told, I probably carried my paperback copy of the book to the screening.)

I really thought I knew Welles and his work.  The good and the less so.  I remember I had met a writer one day working at Kinko’s in Pasadena who told me something of a book he’d written on Welles.  He (like many others, including Peter Bogdanovich) indicated that Welles’ greatest work, had yet to be seen and that it existed in the form of his unfinished feature, The Other Side of The Wind. What Joseph McBride never told me was the fact that he was IN The Other Side of The Wind.

And so, this scene which features Welles’ muse and companion, Oja Kodar completely floored me.  THIS was Orson Welles?!

(Continue reading…)

Stefan @ 5:55 pm
Filed under: culture andfilmmakers andInfluences
Much Admired: The New Era Artistry of 1 Giant Leap

Posted on Tuesday 14 July 2009

I’m rolling the tomb lid off this blog to let a little fresh air in, and some new ideas out.  When I started this blog, I didn’t really have a firm grasp on what I wanted the blog to “be”.  In a perfect world, it would be a diary of the copious projects that I was in the middle of undertaking.

In reality, I am like so many other filmmakers from all backgrounds and experiences these days, looking for the next opportunity to get the next project off the ground.  And really, many of us who consider ourselves “Indie Filmmakers” are trying to figure out how to bring our projects to life and paying the bills.

In the meantime, as I continue moving forward toward those projects, I’ll be sharing a number of things that inspire and move me, other creators who fascinate me, and who knows what else.

Jamie Catto and Duncan Bridgeman

Jamie Catto and Duncan Bridgeman

First up is the 1 Giant Leap project. The multi-media project created back in 2001 by musician/filmmakers Jamie Catto and Duncan Bridgeman.  The double-Grammy nominated project started coming to light in the States right about the time I was exploring Brazil in the hopes of getting a similar project of my own off the ground.  I mention this not so much to draw attention to my own adventures, but more to illustrate a level of kinship that I feel with these guys.

The original 1 Giant Leap project consisted of a CD and DVD release which chronicled a six month journey in which they recorded music, filmed talks with writers, teachers and every day people.  The result is a multi-part filmed reflection on the human experience.

Catto (one of the original members of English Trip-Hop band, Faithless) and Bridgeman had the opportunity to create a work in which a diversity of talent such as Faithless band mate Maxi Jazz, Michael Franti, Ram Dass, U. Srinivas, Cosi Fabian, Asha Bhosle, Kurt Vonnegut, Jr. and Brian Eno to name just a very few.

But really, it’s best to let the work speak for itself:

“Music to me, is proof of the existence of God.”

Kurt Vonnegut, Jr.

(Continue reading…)

Stefan @ 9:11 pm
Filed under: culture andMulti-Media andnew era andRecommended Viewing